Josh Ritter, “The Curse”

Sustaining a metaphor for the entirety of a song without it sounding like some sort of a fusty academic exercise is a difficult task. Creating a compelling narrative over the relatively short time span of a song is extremely tricky. Josh Ritter manages both of those feats in his 2010 song “The Curse,” and then goes and breaks our hearts a little just for good measure with his tale of mummy love.

Ritter explained what he was trying to do with the song in an interview with UK Spinner. “For a song like that, the goal was to try and tell a full story,” he said. “You try to leave something to the imagination but you can only leave so much. It was really important to get the character just right. The narrative was simple but I really wanted the character to have a serious interaction. The fact that he was a mummy was the funniest part.”

“The Curse” can be found on the album So Runs The World Away, which takes its title from a Hamlet quote. That’s telling, because the song flows like iambic pentameter as Ritter sings over a lilting piano waltz. Some dreamy keyboards add atmosphere and a mournful trumpet makes an appearance late in the track.

What could have been a fanciful story about a mummy falling for the archaeologist who digs him up after eons of slumber turns into an examination of the way some people use love as a springboard to a happier self, even if that means leaving behind the person who gave them the loving boost in the first place. As the song progresses, the mummy slowly returns to humanity through the beneficence of her affection and attracts hordes of outsiders who are amazed at his transformation. By contrast, the archaeologist seems to age prematurely as he drifts apart from her, until she essentially becomes mummified at the end in a tragic turnabout.

Hiding between the lines yet evident in Ritter’s wistful vocal is a sad commentary on how the best intentions of love are often undercut by the fickleness of human nature. The mummy’s “dried fig” of a heart is reanimated by the girl’s attention, and the romance in the beginning is undeniably pure: “The days quickly pass, he loves making her laugh/ The first time he moves it’s her hair that he touches/ She asks, ‘Are you cursed?’ he says, ‘I think that I’m cured.’”

When she asks that question a second time in the song, he has already started to move beyond the cocoon of their initial bond to bask in the attention of the wider world. As a result, she can’t even hear his answer. The transformation is complete soon after: “He gets out of limos he meets other women/ He speaks of her fondly their nights in the museum/ But she’s just one more rag now he’s dragging behind him.” Her heart is now the “dried fig.”

The final verse returns us to the couple’s happier times in the museum, when he explained to her, in a bit of foreshadowing that she overlooked in the bloom of new love, that his pyramid was in essence the bait to lure her. Josh Ritter’s inventive, enchanting song makes it clear that “The Curse” of the mummy actually did exist, and that the archeologist discovered too late that it was always meant to be visited upon her.

Read the lyrics.